Monday, 30 March 2020

LAUAN 603 - Extended Practice Post 13

Starting on a personal note, this week was really slow because, due to the virus, I had to move back home. This massively disrupted my work flow, concentration and motivation. Having to pack up my whole life in a hurry, say goodbye to my uni experience and move back to my tiny room was emotionally and physically exhausting so needless to say I didn't get much done this week.
I did however, have a tutorial with my academic support lady, Jo, on Friday which helped put the wind back in my sails. So by the end of the week I managed to make a new schedule, complete my pencil concept sketches and begin the digital colour concepts. Jo also gave me an idea of how to present the 'concept art/making manual' book by putting me onto Issuu, a digital publication website.

- Example book: https://issuu.com/abiyasaadiguna/docs/illustration_portfolio_2019_abiyasa\

New Schedule 

Pencil Studies 



Exploring Digital Colour 

Monday, 23 March 2020

LAUAN 603 - Extended Practice Post 12

Coronavirus really arrived this week.
With self-isolation, everything moving online and shops closing down, I was seriously faced with having to reconsider my current work for Ex Prac. Initially I was planning to make a stop motion set, exploring a variety of materials but was forced this week to come up with alternatives incase this isn't possible.
After a tutorial with Dotty, lots of sketches and designs, brainstorming possible materials whilst keeping an eye on corona-closures, I decided I will not be making a physical set. This was a shame to admit but logistically it didn't make sense anymore mainly due to the foreseeable limited access to recourses and materials. Despite making a list of things, I knew from previous modules that I would need constant access to shops throughout the project. Also potentially being displaces, I wasn't sure whether I could make a set in my bedroom at home. Additionally, with submissions moving to an all digital format and not being able to exhibit the set, the practicality of working traditionally is now greatly reduced.

On one hand this could be a hinderance to my start in the industry. I was hoping that by designing and building a set, my portfolio would be more complete. Without it, it feels difficult to say I want to be a set designer. On the other hand, I have already produced work I'm proud of this module and know that I will continue to build on my portfolio and skillset after uni anyway.

So, moving forward. I managed to make the conclusion by the end of the week that instead I will make a digital 'set design & making manual' instead. This would be intended for use on, say a feature film where they might have to make a few, making the process easy and structured. This would involve me making everything, apart from the set. The advantage of this is that it's still set related but more centred around design, than building.

A bit of a different week but overall I think I have cooked up a good enough idea to keep me afloat.






Monday, 16 March 2020

LAUAN 603 - Extended Practice Post 11

On Monday Devon, myself and photography friend Fiona photographed the paper theatre. The shoot was successful, director Devon was happy with the images and we got all the angles needed for the film. It was great to see the work under the camera and even better seeing Devon's edited versions.

Most of this week was spent on my own set. I began research with a trip to the Media Museum in Bradford and although exciting to see the work it didn't necessarily offer me any specifics about set building. The trip however did help me come to the rough conclusion that I will be making an American style 1960's diner. Choosing to recreate something real solves my issues concerning lack of characters, narratives, story boards. I began to understand the shapes/patterns involved by making moodboards and drawings.

Finally I made a headway on Petra's paper puppets. The string rigging I was initially counted on ended up being too difficult to disguise, too fiddly and too delicate. So after a tutorial with Dotty, I decided the best option was to 'rig' the characters with blue tac. This way they won't break or move so much when animating.


Photographing The Theatre 

Edited

National Media Museum:

Lottie Reiniger

Andy Pandy

Sketch & Moodbards




Paper Puppets So Far

(Left puppet incomplete)



Sunday, 8 March 2020

LAUAN 603 - Extended Practice Post 10

This week I completed Tamara's backgrounds (for the time being). Both she and I are happy with the outcome, it was a great chance for me to learn and explore with digital texturing, something that isn't a natural strong point. It was a small challenge to keep the backgrounds discreet as they aren't the stars of the show. I solved this by making all assets individual so Tamara (or whoever is compositing) able to remove/re-scale etc any details.

I also had a meeting with team Petra this week concerning the redesign of her paper characters. I decided I will make the paper puppets to help this team out which will be good experience and portfolio contribution for moi.

Additionally, I began really thinking about my set. I watches some videos on making tiny things to get the idea ball rolling. I made a schedule so when I start next week I know exactly where to put my focus. Alternatively to my work so far for this module, I'll be the sole decision maker, producer, director etc so it's important to get organised in advance.

Finally, I made some final touches to Devon's sets as requested. After adding paper plants, curtains and some more floor the set is finally ready for our shoot on Monday which will officially wrap up my contribution to this project.

My Timetable




Some Tamara Backgrounds





Monday, 2 March 2020

LAUAN 603 - Extended Practice Post 9

This week I finished Devon's set. I'm slightly less pleased with the outcome compared to the exterior set. I encountered more hiccups with colour choices, layout and consistency and I think it shows. This is not to say I'm not proud- I also learned from COP that things really come alive under lights and in front of the camera. The only next step for this project is the shoot.

I also got roped into helping with Petra's film again this week, making first draught paper versions of Rhys' character designs. After Terry Wragg's talk, I was inspired by her paper puppet rigging with thread and so tested this. As a mock up I think it works really well despite being quite delicate. I would use thicker paper and stronger tape in future.

Finally, I began painting Tamara's backgrounds. This involved sourcing, creating and scanning textures. I tested some out approaches which Tamara was happy with. They're quite quick to make so I'm aiming to have them finished by Sunday.

Devon's Theatre


Petra's Paper Puppet


Tamara's Textures and Final Background Aesthetic